Guitar Tabs for
Skittish
The Only Answer
The Pink Life
Real Love/It's Only Life
No Peace Los Angeles
Where Have You Gone?
Thank You, Lord, For
Sending Me The F Train
Looks
Shunned + Falsified
All The Dirt
Sweet Lord In Heaven
Language Barrier
Rising Sign
The Only Answer
Capo 5
Verse: G D C
Chorus: Em D C
(Finger your C chords like this: x3203x)
The Pink Life
Capo 9
Verse: Am C F Am
Prechorus ("The options..."): G Am F
Chorus: F Am
Real Love/It's Only Life
Capo 3, gangadank
Main riff:
E--------0-----
B--------0-----
G--------0-----
D--------2-----
A--------3-----
E--0h1---------
Bridge: F Cmaj7
No Peace Los Angeles
Chord shapes used:
G: 320033
Em7: 020033
Em7 (type 2): xx2033
Am11: x02033
Cadd9: x30033
Dadd9: xx0230
G/F#: 220033
G/F: xx3033
G/B: x20033
All chords are arpeggiated.
Verse: G - Em7 - Am11 - Cadd9
Chorus: Dadd9 - Em7 - G
Outtro: G - G/F# - G/F - Em7 (type 2) - Cadd9 - G/B - Am11
Where Have You Gone?
Capo 3
This song is played like a shuffle. It goes like this:
E--------------
B--------------
G--------------
D--2--2--4--2--
A--0--0--0--0--
E-------------- and so on.
Verse: A D A D
Prechorus ("All my traumas..."): D A D A
Chorus: A E D
He hits the open E and B strings a bit in the choruses, they give it that kind
of drone-y sound.
Thank You, Lord, For
Sending Me The F Train
Capo 3
Verse: Em B7
Chorus: C G Em B7
Looks
Capo 4
Verse/chorus: A E D
Shunned + Falsified
Verse: G Em
Prechorus ("I can't save nobody..."): A G A G Em
Freakout guitar solo: Start on an A, and then just kind of slide a G chord up
and down the neck really quickly.
All The Dirt
Capo 3
Verse/chorus: D Cadd9 G
Bridge ("Nobody likes you..."): Am C
Sweet Lord In Heaven
Verse: D A D
Chorus? ("The lord's hand..."): G D G D A D
Language Barrier
Verse: Em G A D A (only play the last two chords when going into the chorus)
Chorus: Em A C
Bridge ("The lips..."): Em A Em D A
Rising Sign
Capo 7
Verse: Em Cmaj7 x3 Dadd9 Am7
Chorus: Dadd9 Am7 Cmaj7 G Em Cmaj7 Cmaj7 G
Bridge ("Can I spell it out..."): Em Am7 B7
(Dadd9 is xx0320.)
All songs transcribed by
Jonathan Altschuler.